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<channel>
	<title>Molly Wei</title>
	<link>https://mollywei.com</link>
	<description>Molly Wei</description>
	<pubDate>Tue, 07 May 2019 12:51:13 +0000</pubDate>
	<generator>https://mollywei.com</generator>
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	<item>
		<title>Slideshow</title>
				
		<link>https://mollywei.com/Slideshow</link>

		<pubDate>Thu, 29 Mar 2018 21:51:04 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

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		<title>Featured Projects</title>
				
		<link>https://mollywei.com/Featured-Projects</link>

		<pubDate>Thu, 29 Mar 2018 21:51:05 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

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		<description>The Material Translator
2018

&#60;img width="1890" height="1260" width_o="1890" height_o="1260" data-src="https://freight.cargo.site/t/original/i/c3194830d53c4095e0c6f0da3ed2274a8011d9e45f69b7415f355b5339e146c6/tmt01.jpg" data-mid="33302087" border="0"  src="https://freight.cargo.site/w/1000/i/c3194830d53c4095e0c6f0da3ed2274a8011d9e45f69b7415f355b5339e146c6/tmt01.jpg" /&#62;Rugeley Power Station
2018
&#60;img width="3610" height="2235" width_o="3610" height_o="2235" data-src="https://freight.cargo.site/t/original/i/a0d4dd9f32950ee6a10a9f54da82dc0c885f49a5cbd7bb5994cd252ae167c015/rps01.jpg" data-mid="33302081" border="0"  src="https://freight.cargo.site/w/1000/i/a0d4dd9f32950ee6a10a9f54da82dc0c885f49a5cbd7bb5994cd252ae167c015/rps01.jpg" /&#62;Toy Extensions2018

&#60;img width="3264" height="2125" width_o="3264" height_o="2125" data-src="https://freight.cargo.site/t/original/i/c03cede109b23c67024f6ed1407201e3f27354783ce1fb1579721a52185634ac/te01.jpeg" data-mid="43210689" border="0"  src="https://freight.cargo.site/w/1000/i/c03cede109b23c67024f6ed1407201e3f27354783ce1fb1579721a52185634ac/te01.jpeg" /&#62;
The Society for Participatory Conservation2017

&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/a8304fc7d8e92d80d9bdb1d8a3cd141a2562aa08af45f1903304aed43cefb130/tsfpc01.jpg" data-mid="14364251" border="0"  src="https://freight.cargo.site/w/1000/i/a8304fc7d8e92d80d9bdb1d8a3cd141a2562aa08af45f1903304aed43cefb130/tsfpc01.jpg" /&#62;The Waterfall of Harmony2016

&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/d8270df9cf0ce361462a7d313ddaff1bfcce5c4430a296c8219b7681577a10f8/twoh01.jpg" data-mid="14351536" border="0"  src="https://freight.cargo.site/w/1000/i/d8270df9cf0ce361462a7d313ddaff1bfcce5c4430a296c8219b7681577a10f8/twoh01.jpg" /&#62;
Blood Donation Toy Kit
2013

&#60;img width="4514" height="3044" width_o="4514" height_o="3044" data-src="https://freight.cargo.site/t/original/i/5dfb1d1a06d5c9713d81e415172af9e915def2c42a3c51adec8b68648fec4e97/bdtk01.jpg" data-mid="17710530" border="0"  src="https://freight.cargo.site/w/1000/i/5dfb1d1a06d5c9713d81e415172af9e915def2c42a3c51adec8b68648fec4e97/bdtk01.jpg" /&#62;



	Thoughts are ‘a god’2015

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	Project Archive ︎

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	<item>
		<title>The Material Translator</title>
				
		<link>https://mollywei.com/The-Material-Translator</link>

		<pubDate>Tue, 04 Sep 2018 11:04:47 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/The-Material-Translator</guid>

		<description>The Material Translator
2018

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The Chinese word “XinQing” (心情) - usually associated with mood, feeling, hearts etc. It is also directly used in Korean as a Sino-Korean word 심정 (ShimJeong), and in Japanese, it can be translated into 気分 き-ぶん (KiBun). However, there is more to this word than English directly translate. The term also carries meaning of unspoken effects that are profound and deep. 
The Material Translator is the method used to present this fuzzy abstract word as a meditation training machine which allows users to feed a chosen material into it for analysis. The machine produces the graphic and sound outputs through infrared analysis spectrum.
It is a tool to generate atmosphere and phenomena. Its purpose is to make the idea of XinQing tangible and create notions of objects that actually have XinQing. The goal of the training machine is stimulating or restoring the human instinct to process emotions, allowing the users to meditate and converse with the object by themselves. The training machine only acts as a medium or simulator and can ultimately be eliminated or abandoned between the user and the object.









Publication Download




	&#60;img width="1890" height="1260" width_o="1890" height_o="1260" data-src="https://freight.cargo.site/t/original/i/e07af1880bfcb665435aa8df72e9a76b92144491847b8ee95a7078f0e8fbb3f4/tmt02.jpg" data-mid="41677029" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/e07af1880bfcb665435aa8df72e9a76b92144491847b8ee95a7078f0e8fbb3f4/tmt02.jpg" /&#62;






					
				








		
	

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	<item>
		<title>Rugeley Power Station</title>
				
		<link>https://mollywei.com/Rugeley-Power-Station</link>

		<pubDate>Tue, 07 May 2019 12:51:13 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/Rugeley-Power-Station</guid>

		<description>Rugeley Power Station
2018
Designer: Erin Liu, Molly Wei
&#60;img width="3610" height="2235" width_o="3610" height_o="2235" data-src="https://freight.cargo.site/t/original/i/a0d4dd9f32950ee6a10a9f54da82dc0c885f49a5cbd7bb5994cd252ae167c015/rps01.jpg" data-mid="41671279" border="0"  src="https://freight.cargo.site/w/1000/i/a0d4dd9f32950ee6a10a9f54da82dc0c885f49a5cbd7bb5994cd252ae167c015/rps01.jpg" /&#62;





My colleague Erin and I shadowed the folks at Oak Ceramics in a town called Rugeley in the East Midlands.&#38;nbsp;&#38;nbsp;Their niche remains the hand-casting of replacements for discontinued sanitary ware models, where there knowledge in this area is 'second-to-none.'&#38;nbsp;&#38;nbsp;In their focus on replacement, Oak Ceramics juxtaposes itself in relation to mass industries (coal + Amazon) which dominate/ compose Rugeley’s skyline and the town’s wider representations.
Error and unpredictability are founding characteristics of any ceramics process.&#38;nbsp; Curing depends on (among other factors) clay consistency, mould form and age, and environmental humidity; firing depends on (among other factors) air bubbles, glaze thickness, and kiln temperature and quality.&#38;nbsp; Explosions can occur as a result of air bubbles in the clay body overheating in the kiln. 
While we were learning at Oak Ceramics, there was of course another explosion on Rugeley’s horizon, one of a much greater scale: the demolition of Rugeley Power Station ‘B’.&#38;nbsp; The impending event has been articulated through ever-shifting updates from local newspapers.

					
				
			
		
	




&#60;img width="1368" height="1536" width_o="1368" height_o="1536" data-src="https://freight.cargo.site/t/original/i/4890b2d26a31a206c5485e3bd78e3cce98e1d2ceb0ddb6860aa76fe015f623a0/rps06.png" data-mid="41863374" border="0"  src="https://freight.cargo.site/w/1000/i/4890b2d26a31a206c5485e3bd78e3cce98e1d2ceb0ddb6860aa76fe015f623a0/rps06.png" /&#62;
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On the topic of a projected timeline for the demolition, descriptions include: 

“to close next month” 

“to begin next month” 

“to remain in place - for now” 

“to begin this year” 

“delayed”. 

Eager to put our budding knowledge of slip-casting to work, we endeavoured to cast cooling towers.&#38;nbsp; We sought out support at our university’s workshop to learn how to turn a model, to make a mould, to make our casts.&#38;nbsp; Though in one sense the cooling tower shape was simply relevant content to practice model-/mould-making and casting, we quickly recognised the overlaps between the casting process and the state of the Rugeley ‘ B’ cooling towers.&#38;nbsp; Both are characterised by waiting periods and an ever-present threat of destruction.&#38;nbsp; We wanted to make multiple casts that, like the cooling towers, would be destroyed. 

We casted at school.&#38;nbsp; We took the mould to Rugeley and casted at Oak Ceramics.&#38;nbsp; With John’s guidance, we made a second mould.&#38;nbsp; With two moulds, Molly and I were each able to cast in our own kitchens. 
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 Could the impending demolition carve out a space for celebratory send-off rather than nostalgic mourning?&#38;nbsp; Steve and John from Oak Ceramics had at some point suggested putting handles on the cooling tower casts.&#38;nbsp; We liked the idea of altering the object to serve an unexpected function.&#38;nbsp; We glazed the casts to making them impervious to liquid using colourful glazes inspired by those we saw at Oak Ceramics. Glazing these pieces made the vessels possible to drink from.&#38;nbsp; Appropriating a supremely British occasion, we decided to host a tea party in celebration (and destruction) of the cooling towers’ place in Rugeley. 
The tea party took place in Ravenhill Park, a green area over which the cooling towers loom. The spread included classic features like English Breakfast tea, Ploughman’s sandwiches, and scones served with clotted cream. But there were also unorthodox elements: Taiwanese tea, sugar cookies cut into the shapes of toilets and cooling towers, as well as chopsticks to stir the tea with (ordinary spoons were too wide for the concave shape). We also set up a ‘break-site’ where we laid out equipment that could be worn/used to break these casts (protective mask, high-vis vest, hammer, pliers).


					
				
			
		
	
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	&#60;img width="4314" height="2912" width_o="4314" height_o="2912" data-src="https://freight.cargo.site/t/original/i/7e8860bc1b2240a9f2bc78a9d805d427b8b754db0387f32bf79bf90d43caae64/rps05.jpg" data-mid="41671281" border="0"  src="https://freight.cargo.site/w/1000/i/7e8860bc1b2240a9f2bc78a9d805d427b8b754db0387f32bf79bf90d43caae64/rps05.jpg" /&#62;

We asked participants if they could break the casts. All declined, saying they didn’t want to—the casts were “too nice”.&#38;nbsp; In these moments, it was difficult to push our participants for multiple reasons. As non-British foreigners, we navigate (feel) British spaces as pariahs; we worry constantly that we will be taken as forthright, rude, or altogether ‘inessential’. To be taken as pests pestering then, was a deep-seated fear of ours. (To own this pest-ness would perhaps be a whole other project.) Another consideration was that as an experiment, this tea party potentially demonstrated how our desire for Rugeleyians to break things was forced. As such, our impulse for cathartic breakage on the part of an-‘other’ was perhaps, coercive or paternalistic. 

In the end, our colleague Tine alone broke a couple of casts, and she broke them only because we begged her to do so (for our own catharsis?). Performing the undesirable act was really a favour for us. Tine described it as “an act of love.” 


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Zine

	
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Process Book



	
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</description>
		
	</item>
		
		
	<item>
		<title>Toy Extensions</title>
				
		<link>https://mollywei.com/Toy-Extensions</link>

		<pubDate>Thu, 29 Mar 2018 21:51:08 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/Toy-Extensions</guid>

		<description>Toy Extensions
2018
Designer: Morgan Thorne, Molly Wei

&#60;img width="3264" height="2125" width_o="3264" height_o="2125" data-src="https://freight.cargo.site/t/original/i/c03cede109b23c67024f6ed1407201e3f27354783ce1fb1579721a52185634ac/te01.jpeg" data-mid="43210697" border="0"  src="https://freight.cargo.site/w/1000/i/c03cede109b23c67024f6ed1407201e3f27354783ce1fb1579721a52185634ac/te01.jpeg" /&#62;






	Toy Extensions is the result of the merge of two standards,“How to Apply False Strip Eyelashes at Home” and “Toy Safety”. Through
research, a workshop, ideation, materialization and a short lm we were able to bring together a set of nine objects and a catalogue
zine. We see the connection between the toy and the social prosthetic as cyclical, one constantly influencing the other.
	

	
		
		
	
	
		
			
				
					
						Our exploration of the link between both our topics began with us looking at the ways toys in uence children. When researchingthis topic we read articles, spoke to parents and children and we saw how children could be highly in uenced by the toys they weregiven. This in uence could be strong enough to steer then into specific career paths, shaping their lives in unexpected ways. Whenlooking closer at toy safety it is clear that its main focus is the physical safety of people. When regulators test toys they try their bestto determine how people might hurt themselves to preemptively try to stop dangerous situations from arising. They also add regulations after the toys have been released because it can be difficult to determine a person’s behaviour. This focus on the physical safetyof people, in turn, omits focusing on a person’s mental well being and how certain toys might affect them in the future.

					
				
			
		
	









	

	
		
		
	
	
		
			
				
					
						

Toys play a big part in every child’s life, it exposes them to ideas about themselves and the world around them. Physical objects embedded with expectations thought processes and interpretations of the world. Lessons they will most likely take with them into adulthood.“Different types of toys give different messages about what’s appropriate for boys and girls to do, and have different educational content - both elements are important and might have a bearing on schooling and career choices later,” she says.Barford, Vanessa. “Do Children’sToys In uenceTheir Career Choices?” BBC News, BBC, 27 Jan. 2014In adulthood, we see the emergence of the social prosthetic. We use the term social prosthetic to represent objects like hair extensions, false nails, and false eyelashes etc. These objects are complex and multifaceted, they can be empowering, used for self-expression and self-care but they also represent the unobtainable beauty standards persons strive to reach. Physical objects that represent an attempt to reach aesthetic “perfection”. In this attempt, persons add, tighten, tuck, pluck and stick foreign objects onto their bodies. Today, the beauty industry 445 billion dollars, for many companies their marketing strategy is based on promoting unrealistic standards so then persons feel the need to buy their products.

					
				
			
		
	


					
				
			
		
	

	&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/d813f52212f1d6970be3c4f354076d2d5e0468178a80c99bdaadb2449729546f/tpmap.jpg" data-mid="14374513" border="0"  src="https://freight.cargo.site/w/1000/i/d813f52212f1d6970be3c4f354076d2d5e0468178a80c99bdaadb2449729546f/tpmap.jpg" /&#62;






	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/8284e744953b008d2b10385b7feb9b85c1f52ee75cfdd73150c9c4456fd88cd1/te29.jpg" data-mid="14420241" border="0"  src="https://freight.cargo.site/w/1000/i/8284e744953b008d2b10385b7feb9b85c1f52ee75cfdd73150c9c4456fd88cd1/te29.jpg" /&#62;


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/6fdc17fb6cd1e0569d5be927801dc693c673d45f6d3df1c333501b181c2fe5be/te02.jpg" data-mid="14374597" border="0"  src="https://freight.cargo.site/w/1000/i/6fdc17fb6cd1e0569d5be927801dc693c673d45f6d3df1c333501b181c2fe5be/te02.jpg" /&#62;
	

	
		
		
	
	
		
			
				
					
						Our objects attempt to alter people’s interpretation of the social prosthetics by making them more playful. We imagine a different world were these altered social prosthetics are used by persons to understand the world around them, just as children use toys to understand their world. The aim is to disrupt beauty standards by utilizing playful techniques inspired by toys. We also speculate about the future where these objects are utilized and how this might in turn in uence toy design and ultimately again social prosthetic design.

					
				
			
		
	




	
	
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&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/58e32fabea1dc12324b9540e4da370c9e31ab03dd3a64fa657308033615204bd/te17.jpg" data-mid="14409520" border="0"  src="https://freight.cargo.site/w/1000/i/58e32fabea1dc12324b9540e4da370c9e31ab03dd3a64fa657308033615204bd/te17.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/a4f6c2f4c772214038d88d0933e50230ca36c189c27f69938f0ffaf8947349f0/te25.jpg" data-mid="14409528" border="0"  src="https://freight.cargo.site/w/1000/i/a4f6c2f4c772214038d88d0933e50230ca36c189c27f69938f0ffaf8947349f0/te25.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/d58fff28e5a3e2ec95e2f2a84bf744f7a6a4253e282512f45f0b04ff7a113db2/te24.jpg" data-mid="14409526" border="0"  src="https://freight.cargo.site/w/1000/i/d58fff28e5a3e2ec95e2f2a84bf744f7a6a4253e282512f45f0b04ff7a113db2/te24.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/94431d5316fab0ef418afc4c7b043c78950279c722d0dbcaf104160c78090c58/te21.jpg" data-mid="14409524" border="0"  src="https://freight.cargo.site/w/1000/i/94431d5316fab0ef418afc4c7b043c78950279c722d0dbcaf104160c78090c58/te21.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/cb83c50a4ad3b71b16a334e0eb3fd0e4528334fb5be7737bebfd9e81cbe7e295/te20.jpg" data-mid="14409523" border="0"  src="https://freight.cargo.site/w/1000/i/cb83c50a4ad3b71b16a334e0eb3fd0e4528334fb5be7737bebfd9e81cbe7e295/te20.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/10237fcde0bacd43bfc55e449227b4c86504e6c2e06e743584b4df6244f0827a/te18.jpg" data-mid="14409521" border="0"  src="https://freight.cargo.site/w/1000/i/10237fcde0bacd43bfc55e449227b4c86504e6c2e06e743584b4df6244f0827a/te18.jpg" /&#62;

	






Our workshop was with children aged between 3-4 years old. We gave them a series of social prosthetics as well as craft materials to allow them to create their own extensions. It was important for us to get a chid’s perspective on the topic because we realised that both the social prosthetic and the toy were both dictated by the adult.&#38;nbsp;


	&#60;img width="3420" height="2280" width_o="3420" height_o="2280" data-src="https://freight.cargo.site/t/original/i/f1100e02cda8353b7f6217258bd4d5924e2fcb7ae6be9aea741229fb987973e9/te04.jpg" data-mid="14374617" border="0"  src="https://freight.cargo.site/w/1000/i/f1100e02cda8353b7f6217258bd4d5924e2fcb7ae6be9aea741229fb987973e9/te04.jpg" /&#62;
	&#60;img width="4491" height="2994" width_o="4491" height_o="2994" data-src="https://freight.cargo.site/t/original/i/3cdfa81d7b4618270c9e4566db7f92f82354307f3290cd2590115ff2f67fdff0/te03.jpg" data-mid="14374598" border="0"  src="https://freight.cargo.site/w/1000/i/3cdfa81d7b4618270c9e4566db7f92f82354307f3290cd2590115ff2f67fdff0/te03.jpg" /&#62;



	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/90cf5e5a63b230b765ba366a71d782041aaf6e63afee87fd1ca446f10130bc16/te05.jpg" data-mid="14374599" border="0"  src="https://freight.cargo.site/w/1000/i/90cf5e5a63b230b765ba366a71d782041aaf6e63afee87fd1ca446f10130bc16/te05.jpg" /&#62;
“The Bridge” --age 3


	

	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/86d10f6eede983aea698e7978bd3fece570e747a9e87638ed1789ae6b493fc52/te30.jpg" data-mid="73023501" border="0"  src="https://freight.cargo.site/w/1000/i/86d10f6eede983aea698e7978bd3fece570e747a9e87638ed1789ae6b493fc52/te30.jpg" /&#62;
	BSI Standards Forum &#38;amp; Awards 2018This work was also shown at the annual BSI Standards Forum &#38;amp; Awards 2018 at the Park Plaza London Riverbank. We were invited by the BSI to talk about o work with the guests of this event.
	
</description>
		
	</item>
		
		
	<item>
		<title>The Society for Participatory Conservation</title>
				
		<link>https://mollywei.com/The-Society-for-Participatory-Conservation</link>

		<pubDate>Thu, 29 Mar 2018 21:51:12 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/The-Society-for-Participatory-Conservation</guid>

		<description>&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/a8304fc7d8e92d80d9bdb1d8a3cd141a2562aa08af45f1903304aed43cefb130/tsfpc01.jpg" data-mid="14364432" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a8304fc7d8e92d80d9bdb1d8a3cd141a2562aa08af45f1903304aed43cefb130/tsfpc01.jpg" /&#62;

The Society for Participatory Conservation2017
Designer: Thomas Sandahl Christensen, Tine Ohlau, Morgan Thorne, Molly Wei


The Society for Participatory Conservation imagines a museum that breaks free of the archetypical brick and mortar institution. The society is unfolded through a gift shop with the leitmotif conservation through gifting. We believe that the gift shop as a space has the opportunity to be something more than a place of postcards, souvenirs and other commodities. 






	
	
 In our gift shop we invite the user to engage in museological practices. In particular the activity of conservation. For many people conservation conjures images of experts wearing white gloves while &#38;nbsp;handling priceless artifacts in a sterile environment. We refuse this as the only viable form of conservation and question the subjective nature of any conservation activity.
	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/504cb01452e79421f9447cba6af997014f13c6a4a3866a4db2ef7d332cbb801b/tsfpc06.jpg" data-mid="14365302" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/504cb01452e79421f9447cba6af997014f13c6a4a3866a4db2ef7d332cbb801b/tsfpc06.jpg" /&#62;





Our response is materialized through two separate tool kits that allow the user to participate in The Society for Participatory Conservation. The kits refuse the museum as an institution tied to singular geographical location and moves the museum out into the world in the hands and homes of the members of the society. In that process we aim to challenge the notion that conservation is only about keeping artifacts and living practices static, pristine and controlled within an institution. 

Gifting lies at the heart of The Society for Participatory Conservation. Each kit is only in the hands of a single member until they have used it to create their contribution to conservation. After that the kit is gifted onto an aspiring member of the society. This way the kits journey from person to person through the act of gifting leaving behind a trace of artifacts that become the museum out in the world. 

We see the gift shop as an introduction into thinking critically about the ways museum conserve cultural practices and artifacts. And maybe even more importantly, the things that cannot be conserved within a brick and mortar museum.



	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/70ba6191dc4edde3e830c6db5646393ce745296096d653eb2879da5ec19a0606/tsfpc03.jpg" data-mid="14365300" border="0"  src="https://freight.cargo.site/w/1000/i/70ba6191dc4edde3e830c6db5646393ce745296096d653eb2879da5ec19a0606/tsfpc03.jpg" /&#62;
	&#60;img width="3420" height="1924" width_o="3420" height_o="1924" data-src="https://freight.cargo.site/t/original/i/5703d14c7efba64035d10e585ff57af2f7a8dfbb5545fbc0885263af76a986d0/tsfpc07.jpg" data-mid="14365552" border="0"  src="https://freight.cargo.site/w/1000/i/5703d14c7efba64035d10e585ff57af2f7a8dfbb5545fbc0885263af76a986d0/tsfpc07.jpg" /&#62;
	&#60;img width="3420" height="1924" width_o="3420" height_o="1924" data-src="https://freight.cargo.site/t/original/i/1e15d1faec59cc7251162f13234f424101aeee34490c479fc16a568476d450b9/tsfpc04.jpg" data-mid="14365551" border="0"  src="https://freight.cargo.site/w/1000/i/1e15d1faec59cc7251162f13234f424101aeee34490c479fc16a568476d450b9/tsfpc04.jpg" /&#62;








The David Kit

In the David Kit we critique conservation methods by giving the privilege of conserving David to the masses. Inspired by the V&#38;amp;A’s David replica we critique the conservation of artifacts. We critique conservation because as any conservator will tell you, any artifact will decay over time. The conservator, to the best of their abilities tries to hold true to the artifact. Trying to respect the “aura” of the artifact and maintain what makes it special and significant. However, what it means to keep an artifact as close to the original as possible, will always be subjective. According to world leading conservator Agnese Paronchi “Not one millimeter of its(Michelangelo’s David red.) original polished surface is left”. The case of the original David highlights the difficulty of maintaining the original and in turn in many cases like the V&#38;amp;A’s David, the replica. 


	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/b0fbda26e1e8448add19101d4ef8a6a9ccfee875f3e0276333eab988ac369103/tsfpc20.jpg" data-mid="14365814" border="0"  src="https://freight.cargo.site/w/1000/i/b0fbda26e1e8448add19101d4ef8a6a9ccfee875f3e0276333eab988ac369103/tsfpc20.jpg" /&#62;








	
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/48f53e57a13e4ac6cf1c521d943f1d7901c4ac1320918fe7931517cdc91656ff/tsfpc09.jpg" data-mid="14365304" border="0"  src="https://freight.cargo.site/w/1000/i/48f53e57a13e4ac6cf1c521d943f1d7901c4ac1320918fe7931517cdc91656ff/tsfpc09.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/ea799e3ba3b88a825624d5a079d06389ea2594e4cef298ce23c5a3274ac1dee4/tsfpc10.jpg" data-mid="14365305" border="0"  src="https://freight.cargo.site/w/1000/i/ea799e3ba3b88a825624d5a079d06389ea2594e4cef298ce23c5a3274ac1dee4/tsfpc10.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/6625a4a3f94e5f2d193aec8bf30b374c8fb9947b11930b9289169b5fcefbb3ba/tsfpc11.jpg" data-mid="14365306" border="0"  src="https://freight.cargo.site/w/1000/i/6625a4a3f94e5f2d193aec8bf30b374c8fb9947b11930b9289169b5fcefbb3ba/tsfpc11.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/aa20e7193896216c2668a617a90f5f2a121f13be26e936751e2afc48eaf22865/tsfpc12.jpg" data-mid="14365307" border="0"  src="https://freight.cargo.site/w/1000/i/aa20e7193896216c2668a617a90f5f2a121f13be26e936751e2afc48eaf22865/tsfpc12.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/f400b7dac81c30b1e72ef7c3ccce2317caf3b437deac5abc41d89ec4003bc5be/tsfpc13.jpg" data-mid="14365308" border="0"  src="https://freight.cargo.site/w/1000/i/f400b7dac81c30b1e72ef7c3ccce2317caf3b437deac5abc41d89ec4003bc5be/tsfpc13.jpg" /&#62;
&#60;img width="3420" height="1924" width_o="3420" height_o="1924" data-src="https://freight.cargo.site/t/original/i/3ceb0a512683f9adfff3535b3ed433aa68809a6a24f33535226910722f7a208b/tsfpc02.jpg" data-mid="14365550" border="0"  src="https://freight.cargo.site/w/1000/i/3ceb0a512683f9adfff3535b3ed433aa68809a6a24f33535226910722f7a208b/tsfpc02.jpg" /&#62;

	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/1ee3632a45b2509d66828264f4d9d1f41826ad5521f51de5de795eeebfb11628/tsfpc14.jpg" data-mid="14365808" border="0"  src="https://freight.cargo.site/w/1000/i/1ee3632a45b2509d66828264f4d9d1f41826ad5521f51de5de795eeebfb11628/tsfpc14.jpg" /&#62;With this kit we invite you participate in this critique by becoming a conservator. Our approach is to embrace the temporal form of the artifact and accept that the only “original” David is lost to time, and maybe only existed for a brief moment after its conception in 1504. Our practice challenges the notion that conservation is only about keeping an artifact static, pristine and controlled within an institution. This kit gives you the power to engage in this conservation by giving you the agency to decide what is important and what is not through the act of creating a caste in many forms. Highlighting at the same time subjectivity involved in any conservation activity. 





	
	
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/44e999f7d93207b50ba2a12d532ece7f8f9ad497b1f30a52fc778a3670e8ab56/tsfpc21.jpg" data-mid="14365816" border="0"  src="https://freight.cargo.site/w/1000/i/44e999f7d93207b50ba2a12d532ece7f8f9ad497b1f30a52fc778a3670e8ab56/tsfpc21.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/38e49f01b230a3056e846439f4157e3f28148775f1e545ad833b7953e1b9864f/tsfpc22.jpg" data-mid="14365817" border="0"  src="https://freight.cargo.site/w/1000/i/38e49f01b230a3056e846439f4157e3f28148775f1e545ad833b7953e1b9864f/tsfpc22.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/0f3fa533b4f9052bf7550d22f9f3d20e8f6b3423aaf4d8bd013c492c5b146237/tsfpc23.jpg" data-mid="14365819" border="0"  src="https://freight.cargo.site/w/1000/i/0f3fa533b4f9052bf7550d22f9f3d20e8f6b3423aaf4d8bd013c492c5b146237/tsfpc23.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/b27bb9aa4cd4f0e1baee361a32a49b67309a3af70ef019beaec1515620bc12e4/tsfpc24.jpg" data-mid="14365820" border="0"  src="https://freight.cargo.site/w/1000/i/b27bb9aa4cd4f0e1baee361a32a49b67309a3af70ef019beaec1515620bc12e4/tsfpc24.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/e290fd9bd47ad5450f446c42163fabef5b0143fa18f1996619b9a8d3f2613dc6/tsfpc25.jpg" data-mid="14365821" border="0"  src="https://freight.cargo.site/w/1000/i/e290fd9bd47ad5450f446c42163fabef5b0143fa18f1996619b9a8d3f2613dc6/tsfpc25.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/dfc5f75f3442dbb032f68c6b07846d93702ad9ab7ec3b7949795fff77c4449be/tsfpc26.jpg" data-mid="14365822" border="0"  src="https://freight.cargo.site/w/1000/i/dfc5f75f3442dbb032f68c6b07846d93702ad9ab7ec3b7949795fff77c4449be/tsfpc26.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/5a081f23037cd960cd2494df5ecd784313de216367ab344b8136631b7eeabe7c/tsfpc27.jpg" data-mid="14365823" border="0"  src="https://freight.cargo.site/w/1000/i/5a081f23037cd960cd2494df5ecd784313de216367ab344b8136631b7eeabe7c/tsfpc27.jpg" /&#62;
&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/e116e8426fcf2878b14ddcea64eb677b1adec15add815db6d100d3bafe1599b5/tsfpc28.jpg" data-mid="14365824" border="0"  src="https://freight.cargo.site/w/1000/i/e116e8426fcf2878b14ddcea64eb677b1adec15add815db6d100d3bafe1599b5/tsfpc28.jpg" /&#62;
&#60;img width="5188" height="2918" width_o="5188" height_o="2918" data-src="https://freight.cargo.site/t/original/i/b3caad1e660948478c668c5078ada8a91179e446fba002ec75ead5d0f0597cd7/tsfpc29.jpg" data-mid="14365825" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b3caad1e660948478c668c5078ada8a91179e446fba002ec75ead5d0f0597cd7/tsfpc29.jpg" /&#62;











The Sourdough Kit

In The Sourdough Kit we explore the subject of alternative gifting cultures through the practice of making and sharing sourdough. By conserving cultures outside of the museum we hope to bring to light the many aspects of cultural life that cannot be conserved by using traditional conservation methods. Our practice challenges the notion that conservation is only about keeping an artifact &#38;nbsp;and living practices static, pristine and controlled within an institution. We see this kit as an introduction into thinking critically about the ways museum conserve cultural practices through the exploration of gifting cultures. 


	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/19188b37078edb4e09a94393a5b9d2baad3dc9d161220393cca0169df94bfddb/tsfpc08.jpg" data-mid="14365303" border="0"  src="https://freight.cargo.site/w/1000/i/19188b37078edb4e09a94393a5b9d2baad3dc9d161220393cca0169df94bfddb/tsfpc08.jpg" /&#62;
	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/31b233bbf54346c6469eda4f190b4ba3eb747984ef4f2da9d752e2ce2298cd5b/tsfpc17.jpg" data-mid="14365811" border="0"  src="https://freight.cargo.site/w/1000/i/31b233bbf54346c6469eda4f190b4ba3eb747984ef4f2da9d752e2ce2298cd5b/tsfpc17.jpg" /&#62;


	
	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/4545aac3a85b7970e1afe22f6d8b7947913ef2588074443bf5cfab64bba26801/tsfpc16.jpg" data-mid="14365810" border="0"  src="https://freight.cargo.site/w/1000/i/4545aac3a85b7970e1afe22f6d8b7947913ef2588074443bf5cfab64bba26801/tsfpc16.jpg" /&#62;
	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/a0fdb1aca22e558257bb9bbe9be02392e2c866c3ec183a34e928f182c9dcd7db/tsfpc19.jpg" data-mid="14365813" border="0"  src="https://freight.cargo.site/w/1000/i/a0fdb1aca22e558257bb9bbe9be02392e2c866c3ec183a34e928f182c9dcd7db/tsfpc19.jpg" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>The Waterfall of Harmony</title>
				
		<link>https://mollywei.com/The-Waterfall-of-Harmony</link>

		<pubDate>Thu, 29 Mar 2018 21:51:09 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/The-Waterfall-of-Harmony</guid>

		<description>
	&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/d8270df9cf0ce361462a7d313ddaff1bfcce5c4430a296c8219b7681577a10f8/twoh01.jpg" data-mid="14354292" border="0"  src="https://freight.cargo.site/w/1000/i/d8270df9cf0ce361462a7d313ddaff1bfcce5c4430a296c8219b7681577a10f8/twoh01.jpg" /&#62;
	

The Waterfall of Harmony2016


	
		
		
	
	
		
			
				
					
						
It is majestic, refreshing, and beautiful. It is harmony
that pours down relentlessly like a waterfall.

					
				
			
		
	



	
		
		
	
	
		
			
				
					
						


					
				
			
		
	


&#38;nbsp;





&#60;img width="2448" height="2722" width_o="2448" height_o="2722" data-src="https://freight.cargo.site/t/original/i/0df8ce64499e413443f02e25999bc4ef612a4ee9746e276b1e5b4cb392d0e221/twoh07.jpg" data-mid="16260541" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/0df8ce64499e413443f02e25999bc4ef612a4ee9746e276b1e5b4cb392d0e221/twoh07.jpg" /&#62;I received the draft of this artwork from a vision in a
dream. I saw mountains representing
different groups of people who were far apart.
Meanwhile the eagle, which represented the wisdom, the
harmony, and peace, hovered over different people.

						When the exhibition ‘Good and Peace’ invited me for
participation, I remembered the draft I received in my
dream and expended with more meanings.





	&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/7f8e55fb7fdf43b5c157296cb41df5e37a05a63b957a7a491b7d95150565397d/twoh02.jpg" data-mid="16260536" border="0"  src="https://freight.cargo.site/w/1000/i/7f8e55fb7fdf43b5c157296cb41df5e37a05a63b957a7a491b7d95150565397d/twoh02.jpg" /&#62;
Embroidery thread, acrylic &#124; 60 x 200 cm


The medium of the piece is embroidered mountains and eagle. The sky and river are painted onto the canvas and the waterfall is of more than twenty different colours of yarn that fall from the artwork. Even different groups of people are divided, the harmony can be created when the communication like water flows between people and goes towards the same direction. As the wiser, like the eagle, leads people to the same direction, the world of peace and harmony is established. When visitors see the artwork from long distance they cannot tell the colours of yarn, since water in flows the same direction with harmony. Therefore, I believe if we communicate and accept each other’s differences, we can live a harmonious life.





	
&#60;img width="2216" height="3718" width_o="2216" height_o="3718" data-src="https://freight.cargo.site/t/original/i/b795268323bda9596bcdabbf724507941401db77eb1f19566d04da1b082e348b/twoh03.jpg" data-mid="16260537" border="0"  src="https://freight.cargo.site/w/1000/i/b795268323bda9596bcdabbf724507941401db77eb1f19566d04da1b082e348b/twoh03.jpg" /&#62;
&#60;img width="1478" height="1108" width_o="1478" height_o="1108" data-src="https://freight.cargo.site/t/original/i/237c5286537f5c11cb7e8e7b462ca39a58e36121bbfac99ca30e7150aca1d6db/twoh04.jpg" data-mid="17755964" border="0"  src="https://freight.cargo.site/w/1000/i/237c5286537f5c11cb7e8e7b462ca39a58e36121bbfac99ca30e7150aca1d6db/twoh04.jpg" /&#62;

	&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d592b137dcdadb3a63d7dbc4314f8baa4a7de990e9ce83b42fac7be06d152bd1/twoh08.jpg" data-mid="16261129" border="0"  src="https://freight.cargo.site/w/1000/i/d592b137dcdadb3a63d7dbc4314f8baa4a7de990e9ce83b42fac7be06d152bd1/twoh08.jpg" /&#62;





Process of embroidery:

	&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d435de83844b475dc02c731d5426ed4f1d6c2afc5623da540d2c3e6337e37af6/twoh05.jpg" data-mid="16260539" border="0"  src="https://freight.cargo.site/w/1000/i/d435de83844b475dc02c731d5426ed4f1d6c2afc5623da540d2c3e6337e37af6/twoh05.jpg" /&#62;
	&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/4fec0ba0b5db783b3d0b321ca37e7f9df929ebf366853de2900ad302f39b8566/twoh06.jpg" data-mid="16260540" border="0"  src="https://freight.cargo.site/w/1000/i/4fec0ba0b5db783b3d0b321ca37e7f9df929ebf366853de2900ad302f39b8566/twoh06.jpg" /&#62;





	&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/8d541253599edad939734a9c8067ff64e6f7922021f03da93432026c674a9b0a/twoh10.gif" data-mid="17718648" border="0"  src="https://freight.cargo.site/w/600/i/8d541253599edad939734a9c8067ff64e6f7922021f03da93432026c674a9b0a/twoh10.gif" /&#62;
&#60;img width="397" height="397" width_o="397" height_o="397" data-src="https://freight.cargo.site/t/original/i/6ca994f5a9db7c939657a38169507c69ec7613aae15c284f3058e6088dca54ea/twoh10.gif" data-mid="17955526" border="0"  src="https://freight.cargo.site/w/397/i/6ca994f5a9db7c939657a38169507c69ec7613aae15c284f3058e6088dca54ea/twoh10.gif" /&#62;

	&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/8b5c4bd6945a16e9f1f9cfd9f6a4e6b999cd0b429ec9a6bd3a94d75bf001462c/twoh11.jpg" data-mid="17718737" border="0"  src="https://freight.cargo.site/w/1000/i/8b5c4bd6945a16e9f1f9cfd9f6a4e6b999cd0b429ec9a6bd3a94d75bf001462c/twoh11.jpg" /&#62;
&#60;img width="397" height="397" width_o="397" height_o="397" data-src="https://freight.cargo.site/t/original/i/cdbd1b7252e25d3236aa66c9222c72d58be428413a25d5210cd95fe8e65de921/twoh09.gif" data-mid="17760376" border="0"  src="https://freight.cargo.site/w/397/i/cdbd1b7252e25d3236aa66c9222c72d58be428413a25d5210cd95fe8e65de921/twoh09.gif" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Thoughts are ‘a god’</title>
				
		<link>https://mollywei.com/Thoughts-are-a-god</link>

		<pubDate>Thu, 29 Mar 2018 21:51:13 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/Thoughts-are-a-god</guid>

		<description>
	Thoughts are ‘a god’2015
‘&#38;lt;Thoughts&#38;gt; are “a god”.’ &#38;nbsp; ̶ Joshua Jung

	&#60;img width="4104" height="2329" width_o="4104" height_o="2329" data-src="https://freight.cargo.site/t/original/i/254c728b1683c4d2ebed2510b3015f5a67f76bfba2db92c605a5bb94b057b4a2/taag01.jpg" data-mid="14354298" border="0"  src="https://freight.cargo.site/w/1000/i/254c728b1683c4d2ebed2510b3015f5a67f76bfba2db92c605a5bb94b057b4a2/taag01.jpg" /&#62;



When I read Joshua Jung’s proverb, one of his proverb ‘&#38;lt;Thoughts&#38;gt; are “a god”.’ (想法就是神) really inspired me. I ‘thought’ deeply how to translate this proverb into a graphic display.




	I tried to use Chinese characters suspended away from a flat surface. I projected a light source to create shadows of the Chinese characters against the flat surface. The suspended Chinese characters ‘想法’ universally translates as ‘thoughts’ in the Chinese, Taiwanese, and Korean language. Interestingly (and even amazingly), the projected shadows produced an entirely different Chinese character, and that was ‘神’, which means ‘God’ in all of the aforementioned languages, and in Japanese as well. Therefore, starting with the transformation of the characters ‘想法’, the character ‘神’ was created. Indeed, ‘Thoughts are a god’.
	


	&#60;img width="2024" height="884" width_o="2024" height_o="884" data-src="https://freight.cargo.site/t/original/i/5b15d7dab90b54cb4fe2615f10818cb0466bfc64dd71d45f2f53f96e72b6d69b/taag06.png" data-mid="17383811" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/5b15d7dab90b54cb4fe2615f10818cb0466bfc64dd71d45f2f53f96e72b6d69b/taag06.png" /&#62;



	&#60;img width="2674" height="1504" width_o="2674" height_o="1504" data-src="https://freight.cargo.site/t/original/i/20d3fcedf2e433554451a3d0107cfd2999ef09ad3afbb8afb5dc0d47a8864da9/taag07.png" data-mid="17384183" border="0"  src="https://freight.cargo.site/w/1000/i/20d3fcedf2e433554451a3d0107cfd2999ef09ad3afbb8afb5dc0d47a8864da9/taag07.png" /&#62;



	When the light shines onto the characters: 想法 (thoughts), its shadow turns out to be the character 神 (god). It is like when people are connected with God’s thoughts, they become a god on earth. However, in the exhibition the light is not always on, so the visitors need to use the flashlight to find the proper angle to create the correct character ‘神’.
	






&#60;img width="3448" height="2189" width_o="3448" height_o="2189" data-src="https://freight.cargo.site/t/original/i/8d3c308aee37ac7a850f7d15f10fd2e750ba097fb6ef631e0ead20531f24b036/taag04.jpg" data-mid="17383218" border="0"  src="https://freight.cargo.site/w/1000/i/8d3c308aee37ac7a850f7d15f10fd2e750ba097fb6ef631e0ead20531f24b036/taag04.jpg" /&#62;&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/f622e879daf1b6b7a3b2d30c2b16e4b79a9e201c41e8be6899d8fb4d5f45c1f1/taag05.jpg" data-mid="17383219" border="0"  src="https://freight.cargo.site/w/1000/i/f622e879daf1b6b7a3b2d30c2b16e4b79a9e201c41e8be6899d8fb4d5f45c1f1/taag05.jpg" /&#62;This is an interactive display for people to discover secret behind my artwork.
</description>
		
	</item>
		
		
	<item>
		<title>Blood Donation Toy Kit</title>
				
		<link>https://mollywei.com/Blood-Donation-Toy-Kit</link>

		<pubDate>Tue, 05 Jun 2018 20:52:46 +0000</pubDate>

		<dc:creator>Molly Wei</dc:creator>

		<guid isPermaLink="true">https://mollywei.com/Blood-Donation-Toy-Kit</guid>

		<description>
	Blood Donation Toy Kit
2013

Designer: Ruby Chang, Molly Wei

	&#60;img width="4514" height="3044" width_o="4514" height_o="3044" data-src="https://freight.cargo.site/t/original/i/5dfb1d1a06d5c9713d81e415172af9e915def2c42a3c51adec8b68648fec4e97/bdtk01.jpg" data-mid="17676701" border="0"  src="https://freight.cargo.site/w/1000/i/5dfb1d1a06d5c9713d81e415172af9e915def2c42a3c51adec8b68648fec4e97/bdtk01.jpg" /&#62;







The aim of the project is for educational purposes to teach children’s awareness of giving blood in hopes that they eventually may become blood donors. In the project, we designed a foldable body-sized toy tool to educate children about health care, blood type and blood donation. The props and storybooks were designed to help instructors interact with children. It also allowed the children to play among themselves to reduce their fear of needles.







		&#60;img width="4675" height="2984" width_o="4675" height_o="2984" data-src="https://freight.cargo.site/t/original/i/5ede96bf70ef49725c541b2f4464d2290eba1d937dd40dfe8652ff60c05eb2a4/bdtk02.jpg" data-mid="17930918" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/5ede96bf70ef49725c541b2f4464d2290eba1d937dd40dfe8652ff60c05eb2a4/bdtk02.jpg" /&#62;








	
	

The population of young generation blood donator are gradually decreasing in Taiwan. After doing several researches, we found nearly 67% of young had never donated and 77% of donors did not have regular donation habit.

	&#60;img width="3654" height="1616" width_o="3654" height_o="1616" data-src="https://freight.cargo.site/t/original/i/346190e21ae432287393130aea333808a75d95166739ef5d2f51ad4e18ec8ecc/bdtk08.jpg" data-mid="17931528" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/346190e21ae432287393130aea333808a75d95166739ef5d2f51ad4e18ec8ecc/bdtk08.jpg" /&#62;









	&#60;img width="4253" height="2788" width_o="4253" height_o="2788" data-src="https://freight.cargo.site/t/original/i/77a44c555deec44eb50caeddb304c02b271e05cff03f23f1300739a252719da4/bdtk04.png" data-mid="17931144" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/77a44c555deec44eb50caeddb304c02b271e05cff03f23f1300739a252719da4/bdtk04.png" /&#62;


EPE board is chosen for our main body as it is fairly light and durable which is portable and good for carrying around. And for the cover we chose PP board so colours can be printed on and easy for clean and maintain. As below, there are 5 main parts: two PP board as both side’s cover and three EPE board inside and carved some empty create different shapes and as a container for toys and tools.







	
&#60;img width="2992" height="2848" width_o="2992" height_o="2848" data-src="https://freight.cargo.site/t/original/i/9338337ba1fbea619eb7145cfca0004b9de7c864a4220fbc4daab48049d03060/bdtk04.jpg" data-mid="17931141" border="0"  src="https://freight.cargo.site/w/1000/i/9338337ba1fbea619eb7145cfca0004b9de7c864a4220fbc4daab48049d03060/bdtk04.jpg" /&#62;
&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/3ffe7cae012c852c962964cd54616074da115e742087a53096e6405058c01e17/bdtk03.jpg" data-mid="17931140" border="0"  src="https://freight.cargo.site/w/1000/i/3ffe7cae012c852c962964cd54616074da115e742087a53096e6405058c01e17/bdtk03.jpg" /&#62;








	&#60;img width="920" height="577" width_o="920" height_o="577" data-src="https://freight.cargo.site/t/original/i/8e1231a3e070cbf22bf7ec01318bd70f58f04c3ebac236b705c0b612448b708c/bdtk06.jpg" data-mid="17931526" border="0"  src="https://freight.cargo.site/w/920/i/8e1231a3e070cbf22bf7ec01318bd70f58f04c3ebac236b705c0b612448b708c/bdtk06.jpg" /&#62;
The materials could be used in various functions and arrangements. Each part of board carries 2-3 features in front and back sides. They are the simplified donation process in order, such as showing the health insurance card, taking the number pin (the pin has a magnet behind, which allows them playing the maze in the end), having health examination, donating blood and sending the blood pack.

	
&#60;img width="1484" height="2043" width_o="1484" height_o="2043" data-src="https://freight.cargo.site/t/original/i/8bc8b68b0e52eca4c3b1f0c5366ec04a5778c5f6cc30a06119b68c1c0e2a4453/bdtk09.jpg" data-mid="17931529" border="0"  src="https://freight.cargo.site/w/1000/i/8bc8b68b0e52eca4c3b1f0c5366ec04a5778c5f6cc30a06119b68c1c0e2a4453/bdtk09.jpg" /&#62;
&#60;img width="858" height="1351" width_o="858" height_o="1351" data-src="https://freight.cargo.site/t/original/i/34c9500d095451b01835ecd4f66cb7299fe47e3f97ad927a4746d8ef33882840/bdtk07.jpg" data-mid="17931527" border="0"  src="https://freight.cargo.site/w/858/i/34c9500d095451b01835ecd4f66cb7299fe47e3f97ad927a4746d8ef33882840/bdtk07.jpg" /&#62;









	&#60;img width="955" height="700" width_o="955" height_o="700" data-src="https://freight.cargo.site/t/original/i/470e7ea534546a0b2edafbc85477596ae842f5f0e0fc82bc8c72aee766df6ae7/bdtk10.jpg" data-mid="17931966" border="0" data-scale="88" src="https://freight.cargo.site/w/955/i/470e7ea534546a0b2edafbc85477596ae842f5f0e0fc82bc8c72aee766df6ae7/bdtk10.jpg" /&#62;&#60;img width="1135" height="1112" width_o="1135" height_o="1112" data-src="https://freight.cargo.site/t/original/i/386b0cf905ba86becd2aee81607b4fc3e8d1c46b33ec8ecb6fb57ad53e9e0827/bdtk11.jpg" data-mid="17931967" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/386b0cf905ba86becd2aee81607b4fc3e8d1c46b33ec8ecb6fb57ad53e9e0827/bdtk11.jpg" /&#62;

	





We designed a pamphlet for people to read so that they can understand every detail of this toy kit, such as each board’s function with photos descriptions. Thus teachers and staff could follow guidelines and lead children through the role-play exercises. The body also involves four story books for children learning about blood knowledge. Our aim is to let children have positive thoughts toward blood donation and then becomes a donor in the future.
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